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Digital discourse community Tonya Bell Indiana Tech ENG /18/21 Introduction As it has some of the six characteristics that a genre must represent, online gaming is considered to be a culture for conversation and a subset of the wider debating group known as video games. Over the weeks of the training, I seem to have more than just my fair share of exposure to different strategies and characters that emerge from each match. Due to the vast number of gamers involved with video games, known as the "gamers," a distinct community has arisen, splitting the once united "gamers," into "casual players" who play often and "hardcore gamers," who display deep emotional commitment to their favorite games. These gamers make online gaming quite a contentious world with several divisions depending on the type of consumer.
Discussion Everyone has the same aim as a potential reason why interactive gaming is a dialogue community: simply to have fun and enjoy the video game to win. People have common views, behaviors and assumptions, but depends on what kind of material game is played. Many players in video games have the ability to play a solo game in which they value or enter a squad and contribute to win a game. This is a confusion any online gamer finds at some stage. That many are trying to prove they're going to be the best, but you can either succeed or fail in the exact act.
As a consequence, after both are sufficiently introduced to the game, the usual practice is to use as much tools as necessary in order to reach the common objective of gaining and beating the opponent's squad (Barrett, 2017). This involves sometimes being selfless and not trying to show your dominance by acting as part of a team and not as an individual. Interaction, the most important part of any video game, is the most common excuse to start playing as a group member. Dialog is the "broad and butter" of a team that focuses on one question at a time, rather than carrying out multiple activities at a far slower pace alone. There are plenty of kinds of video games beyond anything I have played.
In all sorts of games, I have played, communication is key. Teams may travel in groups to secure easy goals easily and gain a shorter period if they interact effectively (Beason, 2020). It also helps all participants to collaborate as a stronger team and everybody learns what everyone else is doing and inspires everyone to do it not just in person but as a team. Many video games can rely mainly on personal skill and less on cooperation if there is little collaboration, which will make games easier if you don't succeed with a team member. Don't worry, everybody's a genre.
There are many various types of video games for each particular category. Personally, I like to play League of Legends, a huge multi-player online arena game to kill the base of your competitor. A second type is RPGs or RPGs. World Warcraft is one of the world's most renowned RPGs. The belief in this game style is that everybody has a specific mission and it's their responsibility.
You have to fulfill your goal at all cost or face dying and waste a lot more than you would want. You will have to accomplish the mission in collaboration with the rest of the staff. The last and most popular form of the game is a first-person shooter or FPS for short. This genre emphasizes individual activity rather than coordination. This is seen in Call of Duty 4: Modern Warfare 2, which needs quick reflexes and the ability to recall all the locations in the designated globe.
In all of these types of gameplay, communication is used to provide information of everything that helps the player succeed. In some of the previous computer games in this thread, there are many ways to talk. The majority of the interaction in a large online gaming environment is done by typing with Skype chats with teammates. Since contact is so important in a role game, most interactions are done via the established communication protocol or Skype, TeamSpeak 3 or Raid Call. There are also other free chat facilities that enable users to participate in massive discussions with the community; however, companies wishing to register for more cloud space charge for larger group meetings.
Finally, although communication with the first shooters is not a critical factor, it helps in the end goal of the game. Although the objective of this game is for you to concentrate on reflections, teamwork can help you improve your talents by allowing you to work with others in achieving certain objectives (Isbell, 2018). The Xbox One or PlayStation 4 are the most common platforms to display this touch tool. Both devices have monthly subscriptions for the usage of voice contact provided in the systems and the possibility of online gaming. The more "hardcore" players are mostly the internet and may easily be distinguished as casual or diehard players.
Because most of the fans of video gaming know more about the world of computers, it's extremely simple to see who is in the audience and who isn't. A simple question, such as "Do you know what the Consumer Electronics Expo or E3?" might determine whether someone is involved in the field of video games. The Computer Gaming Expo is the biggest and most important week of the year, for both video game enthusiasts and companies. During this exhibition, developers of video games display what is to be unveiled and what online players might hope to see. During the exhibit, many companies show brand new launches by displaying trailers around the conference center on several displays (Nic Giolla Easpaig,2018).
Many companies are taking advantage of the opportunity to display their new technologies, such as future gaming consoles. The Electronic Entertainment Expo last year saw Sony, Nintendo and Microsoft unveil the PlayStation 4, Wii U and Xbox One, reveal new features and confirm a possible release date for the upcoming titles. Smaller companies benefit from this opportunity to display future technical accessories, such as Oculus Rift, allowing players to watch each video game in total 3D. Video games in this discussion culture may be split into many different divisions or genres, but all true video game enthusiasts share one thing in common. The one thing both true fans have in common is that they're all competitive and dream to be the largest participant in the community, winning competitions and the biggest player in the game.
While it is convenient to have direct touch lines for your teammates, it is not always the best option. Silence can even be bigger than communicating to the teammates. Moreover, each genre of games has its own lexicon. Although the traditional words are common only in video games, they are different from something outside the video game. If you have someone who doesn't want to be a team player in a video game, teamwork is bad.
The person is more interested in showing his own skill than in winning the game. That are the people who get upset while playing a game when something awful occurs. It normally ends by yelling at the team members and separating the original bond of the team. That one individual can save the team by helping and refraining from yelling, or they can do all the hard work of the team before making a single mistake. As you can see, while always helpful, touch can often be the end of a totally pleasant game.
While many players are very violent, they never lose sight of the most important element of the game: after all, it's just a game and the aim is to have fun. People continue playing and switch to another game before the game stops being interesting and becomes a bit of a trouble. People are still trying to embody the comparatively young world of video game discourse (Latham, et al. 2019). The street-art of which new supporters must comply mostly takes place among extremists; this class of people is deeply indignant because something is not in the video game as scheduled; this kind of person is more commonly known as a "rager." These people also have a lexis of several cuss words.
This kind of vocabulary is readily seen by an average gamer. It also helps to make it possible to play today's games in many languages, allowing users to have multiliteracies, mostly English and a foreign language. Computer games were so integral to world culture that the newspapers began to focus on them. Conclusion The media recently played an important part in lobbying for the continuing growth of the video game industry, mostly for the better but at times for the worst. The media see the video-gaming industry as an issue of society since it promotes child violence and the media believes that there is a strong connection between increased child brutality and increased visibility of video-games.
At big conferences such as the Electronic Entertainment Expo, the media praises the computer game business and it benefits the public belief that video game designers’ profit and benefit. The media advocates all the good elements of computer gaming and the new games and innovations released during this time of year. References Barrett, R. (2017). Unboxing Magic: An Exploratory Ethnography of a Collectible Card Game Discourse Community. Beason, R. (2020).
RETHINKING DISCOURSE COMMUNITIES IN THE DIGITAL AGE: THE EFFECTS OF STREAMING ON DISCOURSE OF GAMING COMMUNITIES. Isbell, D. R. (2018). Online informal language learning: Insights from a Korean learning community. Language Learning & Technology , 22 (3), 82-102.
Latham, A. S. (2019). I, Gamer: Addressing toxic ludology and narratology in the gamer discourse community through reinterpreting video games as hypertexts (Doctoral dissertation). Nic Giolla Easpaig, B. (2018). An exploratory study of sexism in online gaming communities: Mapping contested digital terrain.
Community Psychology in Global Perspective , 4 (2), . Twitter discourse community Tonya Bell ENG /3/21 Introduction Social media also emerged as the digital culture of rapid evolution as a dialogue community over the last 30 years. To stand out as a digital dialogue group, the social media has provided a platform to millions of people, enabling them to share their ideas on social topics, such as politics and culture. The significant development of social Media like TikTok, Twitter and Facebook have turned them into dialogue groups because of the remarkable order in which the exchanges take place. Discourse is particularly important in contemporary thought in humanities and social sciences as it allows one to understand how languages make daily connections with and among people worldwide possible.
Moreover, dialogue enables us to consider how relationships in today's culture are influenced by vocabulary that influences intellectual, political and social transitions. For example, people exchange thoughts and opinions with minimal language (Xing, et al. 2018). Users may only express a comment on Twitter, the social networking website, and a message in this situation, with a limited word cap of 280 characters. Different people from all around the world will create these tweets and link them both locally and internationally.
Typically, 280 characters may be seen as few and not impactful. They are extremely popular, though, when people compose them in a singular manner that enhances their importance. Since the community of discourses is called social-rhetorical channels that achieve the desired outcomes, Twitter is thus one (Xu, et al. 2020). This is supported by the fact that most Twitter users connect to the site in order to communicate with other people they track and their followers.
In this way, they express their views and also create 280-word tweets that communicate their ideal ideas, including added site links with more detail. It was noted that people may have numerous discussions which revolve around a popular topic by using hashtags. Consequently, Twitter users should use fast terms and pronunciations to guarantee that their thoughts about a given problem or subject are accurately shared. More notably, the Twitter dialogue culture has developed a modern marketing model by using hashtags. Individuals and businesses use hashtags to their benefit by using them to exchange knowledge about their businesses and promote their products.
According to various researchers, the bulk of businesses utilize these hashtags to show the public that their goods are trustworthy and that they are publicly responsible and concerned. The Twitter dialogue culture uses hashtags which encourages other individuals to look for the right keyword or similar terms for subjects and problems that are trendy only. To ensure that the hashtags are effective and effective in conveying opinions and ideas, there are certain important guidelines to obey. Both participants of social networking sites agree on these shared objectives as a culture of dialogue. On Twitter, users who follow each other will read and see all their important posts.
This is also the case in Facebook, a global social networking site that includes many smaller groups. In addition, Twitter and Facebook dialogue groups have particular intercommunications structures, such as retweets, answers and the aforementioned hashtags. It was often pointed out that it is often a participatory tool that enables knowledge from the ideas of individuals or external connections inserted into the reviews and the website in general to be supplied. A community or person usually does not render hashtags quite wordy, but rather keeps them brief and catchy to improve memory. Hashtags are then created with the most important terms available (Lachmar, et al.
2017). According to some bloggers, only the hashtags can be reached for the best performance, which mean that other users can check for a certain post quickly, without losing themselves in the vast number of contents that are irrelevant. Furthermore, hashtags greatly define Twitter as a community of discourses, largely because it is only participants who recognize it. Twitter users have developed detailed and outstanding lexis describing their tools, techniques and media to disseminate knowledge and to elicit input from their followers. Finally, another feature of Twitter's dialogue culture is that both veterans and novices are involved.
Experts often tweet and retweet in order to express their opinions with their fans and popularize themselves, whereas novices have less followers and are new to the web. In particular, the professionals once were novices and "newbies," as the exact Twitter jargon labels them. Many that choose to abandon the forum do it by being superior or disabled. In addition, social networking platforms such as Twitter include various speech groups for persons that share common characteristics or characteristics. I personally belong to a community of young adults who do not like populism, misgovernment and misappropriation of the government of the world.
Most of them are undergraduate students, alumni and a host of executives from different organizations. Here, people ask for reforms in the administration and even talk about how lawmakers can affect trends. Interested members who want to enter the community will first be asked a few questions to show that they are deserving of the club. This suggests that this society is a dialogue culture and the questions posed of the people concerned prompt them to act, talk and behave in a certain way. Like offices, social networking network groups, such as Twitter, act in a common manner for people to meet in one context.
This creates a solid group which allows participants to help each other effectively (Chen, et al. 2020). It was emphasized that talks about a given vision are arranged with answers, quotations and threads that serve as a discourse model for improving the exchange of thoughts and ideas. The debate model provides a seamless flow of debates, such as searches and answers, inside the forum. Currently, users can tag their followers to posts such that they can quickly follow personalized posts.
Twitter imposes its inclusion in the dialogue groups on people who do not choose to join another community, for example, by encouraging them to track discussions and post tags. Conclusion In general, the tremendous progress that Twitter has made, because of the remarkable pattern during which debates are held as well as how they influence and shape the popular debate, was seen. The functionality and routines of the Twitter site prove that it is a network of discourses. By commenting, going to reply, trying to respond and even sharing references and connections, users will express their information and experiences. Of particular importance is the fact that the millions of Twitter users quickly favor non-face-to-face contact.
As one and the same, Twitter has profoundly completely changed the way express their viewpoints on governance, society and other social issues. This website has also helped users to get news and communicate with their friends and family and different people all over the world. References Chen, E., Lerman, K., & Ferrara, E. (2020). Tracking social media discourse about the covid-19 pandemic: Development of a public coronavirus twitter data set. JMIR Public Health and Surveillance , 6 (2).
Lachmar, E. M., Wittenborn, A. K., Bogen, K. W., & McCauley, H. L. (2017). # MyDepressionLooksLike: Examining public discourse about depression on Twitter.
JMIR Mental Health , 4 (4), e43. Xing, W., & Gao, F. (2018). Exploring the relationship between online discourse and commitment in Twitter professional learning communities. Computers & Education , 126 , . Xu, S., & Zhou, A. (2020).
Hashtag homophily in twitter network: Examining a controversial cause-related marketing campaign. Computers in human behavior , 102 , 87-96.
Paper for above instructions
Introduction
In an era dominated by technology, online gaming has emerged as a defining cultural phenomenon that contributes to the formation of digital discourse communities. These communities, exemplified by the motivations and interactions of gamers, manifest unique characteristics that shape their conversations and engagement with video games. This paper explores the frameworks, behaviors, and languages that define the digital discourse community of gamers, emphasizing the need for collaborative interaction, the role of various gaming genres, and the influence of media on these communities.
Defining the Digital Discourse Community
A digital discourse community can be identified by its shared goals, discourses, practices, and communication strategies. At the core of online gaming is a shared objective: to enjoy the game while achieving victory. Gamers, divided into subcategories such as "casual players" and "hardcore gamers," exhibit varying levels of commitment and engagement with their gaming experiences (Barrett, 2017). This classification impacts daily interactions and communication within the community, allowing individuals to cultivate a sense of belonging and mutual support.
Communication Strategies in Gaming
In online multiplayer games, communication is a cornerstone of collaboration and success. Players often adopt team-based strategies, relying on effective communication to navigate in-game challenges. For instance, in games like "League of Legends," players must work together to execute complex strategies while fulfilling specific roles (Beason, 2020). Communication occurs through various channels, including text chat, voice communication software like Skype or Discord, and in-game voice chat features. These interactions allow for the exchange of crucial information, fostering teamwork and promoting understanding among players.
Interestingly, the discussion norms in gaming contexts differ significantly among various genres. In role-playing games (RPGs) like "World of Warcraft," cooperation is paramount, with players collaborating to accomplish quests and achieve their objectives (Isbell, 2018). On the contrary, first-person shooters (FPS) prioritize individual skills but still benefit from team communication (Latham et al., 2019). These variations showcase the adaptive communication practices that evolve according to the gaming genre and its demands.
The Language of Gamers
The gaming community has developed its own lexicon, shaping the way players communicate. This lexicon includes terms that resonate uniquely within the digital discourse community, such as "gamer," "noob," "rage quit," and "pwn." These terms not only facilitate communication but also foster camaraderie among gamers who share knowledge and experiences (Nic Giolla Easpaig, 2018). Additionally, acronyms, emojis, and memes proliferate within gaming conversations, lending humor and relatability to discussions while showcasing multi-literacies in communicating complex emotions and ideas.
The Role of Competitiveness and Culture
Gaming culture unequivocally accepts competition as a fundamental aspect of engagement. Gamers seek mastery over their respective games, and while enjoyment is vital, the drive to outperform adversaries fuels discourse and fosters a sense of community. Competitions and tournaments serve as a focal point for gamers, igniting discussions surrounding strategies, skills, and game mechanics (Barrett, 2017). This competitive spirit motivates gamers to refine their skills and share tactics with their peers, reinforcing the community bond shared through mutual aspirations.
Media Influence on Gaming Communities
The media serves as a double-edged sword in the world of gaming discourse. It can elevate the gaming experience by providing coverage of significant gaming events and advancements while also perpetuating negative stereotypes associated with video game violence (Chen et al., 2020). Events like the Electronic Entertainment Expo (E3) create platforms for developers to showcase their innovations, garnering excitement and anticipation within the gaming community (Lachmar et al., 2017). However, media portrayals of gamers often lean towards the sensational (e.g., depicting gamers as socially maladjusted or violent), which can stigmatize the community and create false narratives about its members.
The Evolution of Online Gaming Discourse
Online gaming discourse is continually evolving, shaped by technology and the dynamics of player interactions. The emergence of live streaming platforms such as Twitch has dramatically transformed discourse within gaming communities, offering gamers new avenues for showcasing their skills and engaging with audiences in real time (Xing & Gao, 2018). This shift has blurred traditional communicative boundaries, allowing casual gamers to become influencers and content creators, further integrating storytelling and personal narratives into the gaming experience.
As communities online continue to grow, new digital platforms facilitate discussions and engage gamers globally. Such platforms address topics of diversity and inclusivity—significantly relevant within gaming communities—as gamers seek social and cultural connections across various ethnicities, genders, and backgrounds (Xu & Zhou, 2020). This increased focus allows for a more nuanced understanding of gamer identity and drives the community's advocacy for representation in gaming narratives.
Conclusion
The digital discourse community of online gamers is characterized by its diverse linguistic landscape, collaborative spirit, and competitive nature. Communicative strategies play a vital role in facilitating cooperation and enjoyment, and these strategies differ based on gaming genres. As communities continue to evolve and adapt to changing technologies, both the gaming culture and its discourse must contend with the perceptions propagated by the media. Ultimately, the larger narratives crafted by gamers themselves underscore the ongoing journey of finding joy and connection in the gaming world.
References
1. Barrett, R. (2017). Unboxing Magic: An Exploratory Ethnography of a Collectible Card Game Discourse Community.
2. Beason, R. (2020). Rethinking Discourse Communities in the Digital Age: The Effects of Streaming on Discourse of Gaming Communities.
3. Chen, E., Lerman, K., & Ferrara, E. (2020). Tracking social media discourse about the covid-19 pandemic: Development of a public coronavirus twitter data set. JMIR Public Health and Surveillance, 6(2).
4. Isbell, D. R. (2018). Online informal language learning: Insights from a Korean learning community. Language Learning & Technology, 22(3), 82-102.
5. Lachmar, E. M., Wittenborn, A. K., Bogen, K. W., & McCauley, H. L. (2017). #MyDepressionLooksLike: Examining public discourse about depression on Twitter. JMIR Mental Health, 4(4).
6. Latham, A. S. (2019). I, Gamer: Addressing toxic ludology and narratology in the gamer discourse community through reinterpreting video games as hypertexts (Doctoral dissertation).
7. Nic Giolla Easpaig, B. (2018). An exploratory study of sexism in online gaming communities: Mapping contested digital terrain. Community Psychology in Global Perspective, 4(2).
8. Xing, W., & Gao, F. (2018). Exploring the relationship between online discourse and commitment in Twitter professional learning communities. Computers & Education, 126.
9. Xu, S., & Zhou, A. (2020). Hashtag homophily in twitter network: Examining a controversial cause-related marketing campaign. Computers in Human Behavior, 102, 87-96.
10. Latham, A. S. (2019). I, Gamer: Addressing toxic ludology and narratology in the gamer discourse community through reinterpreting video games as hypertexts (Doctoral dissertation).
This comprehensive examination of the digital discourse community within online gaming highlights how communication, culture, and media intricately influence how gamers interact and connect. As this community continues to grow and evolve, understanding these dynamics will be crucial in fostering meaningful discussions and enhancing communal experiences in gaming.