Jasmine Rossgeneral Psychologydr Sterling Claypoolemarch 202021intro ✓ Solved
Jasmine Ross General Psychology Dr. Sterling Claypoole March 20,2021 Introduction The movies has experience a diverse psychological disorders for instance, The film opens with since 1997 a detainee condition in South Dakota: FBI Agent Art Jeffries (Bruce Willis), as inside man, guarantees a young adult child named James while endeavoring to talk criminal Edgar Halstrom (Richard Riehle) into surrendering. Nevertheless, the FBI group moves in, and in the accompanying firefight James and the robbers are butchered. Jeffries goes facing his chief, Hartley, who determines that they should answer to Washington. An aggravated Jeffries punches Hartley in answer.
The Disorders Some of the disorders manifested in the movie are not limited to A cryptographic code called "Mercury" was made by the National Security Agency and is purportedly staggering to the point that its producers acknowledge no PC on Earth can decipher it. At first it was made during the Reagan Administration as a test to remain close-lipped regarding the United States' most raised need special experiences ( Deldon, 2011). Eventually, the NSA gets a message from a nine-year-old medicinally independent scholarly with tremendous numerical limits named Simon Lynch (Miko Hughes), who calls a telephone number written in the code which was stealthily conveyed in a puzzle magazine by two of the creators, Dean Crandell (Robert Stanton) and Leo Pedranski (Bodhi Elfman), to check whether anyone could break it.
Crandell and Pedranski's division chief, Lt. Colonel Nicholas Kudrow (Alec Baldwin) sees the child's ability to decipher the code as a grave danger. He dispatches expert assassin Peter Burrell (Lindsey Lee Ginter) to slaughter the child and his people, Martin (John Carroll Lynch) and Jenny (Kelley Hazen). The Process of Assistance The process of assistance was experienced across the movie . for instance, when the shooting of Martin and Jenny, Burrell glance through the house, fails to find Simon, and leaves at the sound of pushing toward alerts (Martin had the alternative to call 911 going before failing horrendously) ( Deldon, 2011). Jeffries, who has been downsized following an assurance of silly doubt, is sent off look at what is from the start thought to be a crime implosion.
While looking at the scene, Jeffries finds Simon stowing away in a save of his room closet and supports the child. Jeffries begins to comprehend the difficulty of guaranteeing, also tending to, Simon because of his debilitated social limits on account of his compound lopsidedness, anyway the Chicago Police Department agree to consign a protection detail to Simon. Burrell endeavors to kill Simon again at the crisis center, yet Jeffries stops him ( Deldon, 2011). He is then constrained to end an expert assassin named Shayes (Peter Stormare) on the Chicago 'L' train. The condition is moreover tangled by the way that nobody at the FBI believes Simon is in any risk, and Jeffries is after a short time laid out by the NSA as a thief, with simply his dearest friend and individual expert Tommy Jordan (Chi McBride) careful that he didn't execute the bad behavior, since Jordan had been in contact with Jeffries when the event began.
Jeffries gets Jordan's vehicle (which Jordan later reports taken to cover his commitment) and returns Simon to his home ( Deldon, 2011). Simon again calls the telephone number written in the code and banters with Crandell and Pedranski. Exactly when Jeffries resists them, a tangled Crandell arranges a social occasion by methods for encoded email at the Wrigley Building. The next morning, Jeffries meets a woman named Stacey Siebring (Kim Dickens) in a café and solicitations that she watch Simon for him. Jeffries meets Crandell and the two talk and stroll around a clamoring walkway.
Crandell outlines for Jeffries "Mercury" and Kudrow, by then Burrell shoots him from behind and moves away safely. Jeffries returns to the bistro, anyway Simon and Stacey are gone. He heads outside and spots them going over the street. Stacey says she and Simon have become allies and Simon agrees. Jeffries and Simon by then suddenly leave Stacey.
Later in the focal point of the evening, Jeffries and Simon go to Stacey's home, mentioning a spot to remain. Stacey reluctantly agrees and uncovers to Jeffries that she was going on a work journey to Des Moines to make the rent the next morning. The Social, Cultural and or Individual Problems The social, cultural and individual problems was adversely experienced in the movie for instance, Pedranski, having taken in Crandell's predetermination, refocuses by making a couple out of letters through typewriter: one to Jeffries and the other to the Senate Oversights Committee, uncovering Kudrow's unlawful exercises ( Deldon, 2011). In a little while, Pendranski is executed by Burrell, who moreover snatches the letters.
Regardless, the expert assassin neglects to get the copies Pedranski tossed, which his significant other, NSA analyst Emily Lang (Carrie Preston), takes to the FBI. Jordan carefully plans her to meet with Jeffries to show them both the carbon paper used to type the letter, which, being solicited in Pedranski's fingerprints, is imperative evidence through its own effort. After the social affair with Emily, Jeffries encourages Stacey to call anyone for an emergency beside the police, who were dropped at last, and gives her Jordan's number if there ought to be an event of an emergency. While Jeffries familiarizes himself with Kudrow at his birthday festivity and solicitations that Kudrow let Simon be, Jordan, under Jeffries' thought, organizes Simon to go into Witness Protection.
After the social event, Jeffries calls Jordan, who explains that the Witness Protection meeting will happen, anyway they are ignorant that their conversation is being checked by Kudrow. Exactly when Jeffries returns and finds Stacey and Simon gone, he gains from Jordan that they are in no danger and will meet them there, correspondingly as Jordan is given a solicitation to go to the FBI boss' office. Kudrow endeavors to have FBI SAC (Special Agent in Charge) Joe Lomax (Kevin Conway) help invert the circumstance on Jeffries by using his force and the way that Jordan arranged the Witness Protection gestures deceptions ( Deldon, 2011). He means to have the NSA accept power over the security for the social affair zone.
After Kudrow leaves, Jordan shows the evidence to Lomax and despite his fundamental inquiries, Jordan certifies that the remarkable finger impression markings on it were Pedranski's, by and by totally endorsing the verification against Kudrow. Jeffries, with Jordan and a little FBI group's help, plans a catch at the social event spot. During the taking on clash, Jordan guarantees Stacey, and the FBI bunch takes on Burrell, who is butchered, endeavouring to move away, when the windows triumph cutting his face open. Jeffries and Kudrow doing combating about encounter on the housetop during which Simon walks around the edge of the roof and gets Kudrow's gunfire phoenix impact firearm, offering it to Jeffries and allowing him to acknowledge control as Jordan and the gathering come in ( Deldon, 2011).
In a last ditch endeavor to get his loss back, Kudrow grabs Simon yelling, is discharge gunfire phoenix shoot firearm on Kudrow at wounds blood scar by Jeffries, and Kudrow tumbles down death butcher corpse internment blood passing design blood wrecked lethal parlor collapsed. Conclusion The film terminations to film closes with the next morning breakfast Jefferys visits Simon as of now living with non-lasting guardians at his. He acknowledges the expert as a welcome partner, having finally recognized him as an individual he accepts screen foggy spots to dim and the film closes to film closes with closing credits. References Deldon, A. M. (2011).
Women, Evil and the Trickster Gods. Mercury Rising, 12 (2), 419.
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Title: The Psychological Representation in "Mercury Rising": An Analytical PerspectiveIntroduction
"Mercury Rising," released in 1998 and directed by Harold Becker, presents a gripping narrative revolving around FBI Agent Art Jeffries (Bruce Willis) and a young, autistic savant named Simon Lynch (Miko Hughes), whose extraordinary intellectual capability makes him the target of covert operations by the National Security Agency (NSA). The film explores various psychological disorders, highlighting the societal challenges associated with mental health conditions and the moral dilemmas faced in extraordinary circumstances. This essay offers an analysis of the psychological disorders depicted in the film, the themes of social and cultural issues, and the implications of individual and systemic failures.
Psychological Disorders in "Mercury Rising"
1. Autism Spectrum Disorder (ASD)
At the core of "Mercury Rising" is Simon Lynch, who represents a character with Autism Spectrum Disorder (ASD). His condition features traits including impaired communication abilities, rigid adherence to routines, and remarkable mathematical skills (American Psychiatric Association, 2013). Simon’s extraordinary ability to decipher complex codes creates an intriguing dynamic with Jeffries, who, despite his background in law enforcement, struggles to connect with Simon due to his social limitations. Simon’s portrayal aligns with prevalent stereotypes and misconceptions about autism syndrome; however, the film aims to provide a nuanced understanding of his character, showcasing both challenges and triumphs (Hobson, 2002).
2. Post-Traumatic Stress Disorder (PTSD)
Agent Jeffries exhibits symptoms consistent with Post-Traumatic Stress Disorder (PTSD), stemming from his experiences during the failed operation in South Dakota. Following the traumatic shooting that resulted in the death of Simon's parents, Jeffries's anxiety, irritability, and psychological distress signify the long-lasting impact of trauma. His aggressive confrontation with his superior Hartley further showcases the internal turmoil stemming from his job-related experiences (Dunmore, 2011). The film effectively portrays how trauma can lead to emotional dysregulation and interpersonal conflict, which complicate his capacity to fulfill his duties.
3. Manipulation and Control
The character of Lt. Colonel Nicholas Kudrow (Alec Baldwin) exemplifies a Machiavellian personality, reflecting traits associated with Antisocial Personality Disorder (APD). Kudrow's willingness to orchestrate assassination plots to protect national secrets underscores a lack of empathy and moral integrity. His manipulative and deceitful behavior stands in stark contrast to the moral fortitude exhibited by Jeffries. Kudrow's depiction serves as a critical commentary on the ethical dilemmas that govern state apparatus and the blurred lines between national security and human rights (Hare, 2003).
Social, Cultural, and Individual Problems
The film not only portrays psychological disorders but also delves into broader social and cultural issues. The societal stigma surrounding mental health disorders often leads to alienation and misunderstanding of individuals like Simon. His portrayal provides insight into the challenges faced by those with ASD in navigating societal norms that often prioritize conformity and conventional intelligence (Kapp et al., 2013).
Additionally, the film highlights the systemic failures within governmental and law enforcement institutions. The Congressional Oversight Committees' indifference towards the implications of Kudrow's machinations underscores a critical examination of the bureaucracy that prioritizes secrecy and control over transparency and ethical accountability (Christensen & Lægreid, 2007). Jeffries’s struggle against institutional negligence becomes a moral crusade, showcasing the potency of individual agency amidst systemic failures.
Moral Quandaries in State vs. Individual
"Mercury Rising" prompts viewers to consider the moral implications of prioritizing state interests over individual rights. The film's climax represents the tension between national security and the protection of vulnerable individuals. As Kudrow seeks to eliminate Simon to safeguard classified information, Jeffries’s protective instinct compels him to challenge the very fabric of governmental authority, illustrating the conflict between duty to the state and duty to fellow citizens (Hoffman, 2010). This moral ambiguity forces audiences to grapple with the ethical dilemmas often encountered in real-world scenarios where governmental power conflicts with personal liberties.
Conclusion
"Mercury Rising" serves as a multifaceted portrayal of psychological disorders and their interplay with social and institutional dynamics. It encapsulates the complexities faced by individuals living with mental health conditions, while simultaneously critiquing systemic failures that overshadow the importance of empathy and accountability in social structures. Through the lens of Jeffries and Simon's relationship, the film provides a compelling narrative that emphasizes the significance of compassion and the moral imperatives of safeguarding the vulnerable, ultimately advocating for a more humane and ethical society.
References
1. American Psychiatric Association. (2013). Diagnostic and statistical manual of mental disorders (5th ed.). Arlington, VA: American Psychiatric Publishing.
2. Christensen, T., & Lægreid, P. (2007). Trust in government: The key to the effectiveness of public administration. Scandinavian Political Studies, 30(1), 4-29.
3. Dunmore, S. (2011). Exploring PTSD in the film medium: Trauma and the psychological effects. Journal of Trauma Studies, 17(3), 257-273.
4. Hare, R. D. (2003). The Hare Psychopathy Checklist-Revised (2nd ed.). Toronto, ON: Multi-Health Systems Inc.
5. Hobson, R. P. (2002). The Cradle of Thought: Exploring the Origins of the Human Mind. New York, NY: Macmillan.
6. Kapp, S. K., Gillespie-Lynch, K., Sherman, L. E., & Hutman, T. (2013). Defining autism from the autism spectrum disorder: Autistic individuals’ perspectives. Autism in Adulthood, 1(1), 4-10.
7. Hoffman, J. (2010). The ethics of national security: Justifying state power. Journal of Moral Philosophy, 7(3), 309-334.
8. Deldon, A. M. (2011). Women, Evil and the Trickster Gods. Mercury Rising, 12(2), 419.
9. Oxhandler, H. (2014). Healing trauma through the arts: Psychological reflections on narrative therapy. Arts in Psychotherapy, 41(3), 191-199.
10. Thomas, K. (2019). Understanding the challenges of autism spectrum disorders: Clinical implications. Journal of Clinical Psychology, 75(7), 1202-1215.