Paintingpainting Continues To Be A Popular And Relevant Art Medium ✓ Solved

PAINTING Painting continues to be a popular, and relevant art medium. It has been used by artists for thousands of years. But painting is really just a general category. There are specific types of paint you need to know. Fresco is water-based pigment painted onto wet plaster.

It is what Michelangelo used for the Sistine Chapel, and what Diego Rivera used for his celebrated murals. Oil was perfected in Renaissance, and was especially good for painting lifelike people. It is still a a popular medium used by all types of painters. Acrylic was not invented until the 20th Century, and it was not until the 1960s that it became widely available for artists to use. Encaustic is pigmented, molten wax.

You must apply the liquid wax while it is hot. This is an ancient medium used more recently by the famous American painter, Jasper Johns. Watercolor is transparent, water-based paint usually applied to paper. It is enjoyed for its fresh, spontaneous qualities. There are other paints too, such as egg tempera (made with egg yolk), casein (milk paint), gouache (an opaque watercolor), enamel (a shiny, flat paint, the same as nail polish) and distemper (glue paint).

As you look at paintings in person, online, and your textbook, pay attention to the painting medium and how and why the artist may have chosen it. Each type of paint has its own qualities. Beatriz Milhazes (Brazilian, b.1960) Coqueiral em marrom e azul celeste 2016 – 17 Acrylic on canvas, 11 à— 6 feet Beatriz Milhazes (Brazilian, b.1960) Exhibition at Pérez Art Museum, Miami, Florida, 2014 Acrylic on canvas, 11 à— 6 feet Diego Rivera (Mexican, ) Liberation of the Peon 1931 Fresco, 6 à— 8 feet Diego Rivera (Mexican, ) Man Controller of the Universe (or Man in the Time Machine), 1934, Fresco 4.85 x 11.45 meters, Palacio de Bellas Artes, Mexico City Michelangelo (Italian, ) Creation of Adam, c., Fresco, 9 x 18 feet, Sistine Chapel, The Vatican Michelangelo (Italian, ) Ceiling and Last Judgment, c., Fresco, Sistine Chapel, The Vatican Raphael (Italian, ) Madonna and Child with Book, c.

Oil on Panel, 21 x 15 inches Pablo Picasso (Spanish, ) Woman with a Book, 1932 Oil on Panel, 51 x 38 inches Tip: See both of these paintings in person, for free, at the Norton Simon Museum in Pasadena, CA. Jasper Johns (American, b.1930) Flag, , Encaustic, oil, and collage on fabric mounted on plywood, three panels, 42 x 60 inches Lourdes Sanchez (Cuban-American, b.1961) Untitled (Morning Glories), 2019, Watercolor, 40 x 60 inches 2 Knowledge Checks Weeks 3 Knowledge Check: Cardiovascular and Respiratory Disorders In this exercise, you will complete a 10 question Knowledge Check to gauge your understanding of this module’s content. This Knowledge Check will give you an opportunity to review a given scenario or situation to help you to determine cause and effect of a given disorder from a pathophysiology perspective.

Possible topics covered in this Knowledge Check include:, · myocardial infarction · endocarditis · myocarditis · valvular disorders · lipid panels · coagulation · clotting cascade · deep vein thrombosis · hypertension · heart failure · COPD · asthma · pneumonias At least 2 to 3paragraphs Scenario 1: Myocardial Infarction CC: “I have been having terrible chest and arm pain for the past 2 hours and I think I am having a heart attach.†HPI: Mr. Hammond is a 57 year old African American male who presents to the Emergency Department with a chief complaint of chest pain that radiates down his left arm. He states that he started having pain several hours ago and says the pain “it feel like an elephant is sitting on my chestâ€.

He rates the pain as 8/10. Nothing has made the pain better or worse. He denies any previous episodes of chest pain. Denies nausea, dyspnea, or light headedness. He was given 0.4mg nitroglycerine tablet sublingual x1 which decreased, but no stopped the pain.

Lipid panel reveals Total Cholesterol 324 mg/dl, high density lipoprotein (HDL) 31 mg/dl, Low Density Lipoprotein (VLDL) 54 mg/dl nitroglycerine tablet sublingual x1 which decreased, but not stopped the pain. Lipid Panel reveals total cholesterol 324 mg/dl, high density lipoprotein (HDL) 31 mg/dl, Low Density Lipoprotein (LDL) 122 mg/dl, Triglycerides 402 mg/dl, very Low-Density Lipoprotein (VLDL) 54 mg/dl His diagnosis is an acute inferior wall myocardial infarction. Scenario 2 and 3 will be posted tomorrow. One after the other. They are 10 scenarios in total.

We must be done with all 10 scenarios by Friday. Thanks.

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Painting remains a cornerstone of artistic expression, sustaining its relevance throughout centuries and continuing to engage contemporary audiences. As a multidimensional medium, painting transcends mere aesthetics, reflecting culture, history, and individual expression. This paper explores the significance of painting as an artistic medium, its various forms, and its continuing impact on society today.

The Art of Painting

Historically, painting has been used by artists to communicate, document, and inspire. Cave paintings from the Paleolithic era to contemporary works demonstrate an unyielding human desire to express through visual mediums (Feldman, 2013). The evolution of painting techniques and mediums reflects the socio-political and technological advancements throughout time. Notably, mediums such as fresco, oil, acrylic, encaustic, and watercolor serve as various tools through which artists manifest their vision.
Fresco painting involves applying water-based pigments onto wet plaster, allowing the paint to bind with the wall and become an integral part of the architecture. Renowned for their grandeur, frescoes like Michelangelo’s Sistine Chapel ceiling are seminal examples of this technique, demonstrating the ability to simultaneously embody both artistic and architectural prowess (Kirk, 2016). The impermanence of fresco is counterbalanced by its historical significance, representing monumental storytelling.
Oil painting emerged during the Renaissance, providing artists with greater flexibility and depth of color (Thompson, 2003). Artists like Raphael and Picasso utilized oil-based pigments to create lifelike representations and explorations of abstraction, respectively. The adaptability of oil paint allows for layering and texture, facilitating the depiction of intricate details and complex forms (Chisholm, 2018).
Acrylic paint, a relatively modern innovation, made its debut in the 20th century. Its fast-drying nature and versatility offered artists the ability to explore spontaneity and expressiveness (Schmidt, 2017). Beatriz Milhazes, a contemporary Brazilian artist, employs acrylic to create vibrant, layered compositions like "Coqueiral em marrom e azul celeste" that reflect Brazilian cultural motifs.
Encaustic painting, which utilizes heated wax mixed with colored pigments, allows for a richer texture and dimensionality (Lindgren, 2018). Jasper Johns’ “Flag” exemplifies the innovative use of this medium, which has experienced a resurgence among contemporary artists seeking tactile and layered visual experiences (Stone, 2016).
Watercolor is another beloved medium, particularly for its ethereal and fluid qualities (Dawson, 2017). Artists cherish its unpredictable nature, which fosters spontaneity and artistic exploration. Lourdes Sanchez’s “Untitled (Morning Glories)” reflects the fresh, vibrant qualities of watercolor, embodying the medium's unique ability to evoke emotion through color and form.

The Role of Painting in Society Today

While painting serves as a personal exploration for artists, its societal role cannot be understated. Paintings function as critical commentaries on historical events, social issues, and cultural identities. For instance, Diego Rivera’s frescoes, such as "The Man Controller of the Universe," assert powerful narratives on class struggle and human rights (Paz, 1987). Rivera's use of commercialized fresco painting amplifies his message, inviting viewers to reflect on societal realities.
The digital age has expanded the accessibility of painting, allowing artists to reach wider audiences through online platforms and exhibitions (Wilson, 2020). Virtual galleries have made it possible for previously marginalized voices to emerge, democratizing the art world. As the globalization of art continues, traditional painting techniques coexist with different cultural expressions and contemporary themes, creating a rich tapestry of global dialogue through painting.
Moreover, the therapeutic value of painting has gained recognition, contributing to the mental wellness of individuals. Art therapy, which integrates creating art into healing practices, illustrates how painting serves not only as a means of artistic expression but also as a conduit for emotional and psychological examination (Malchiodi, 2005). Engaging with painting fosters reflection and self-expression, proving invaluable in mental health practices.

Conclusion

Painting, as a medium, is a living testament to human creativity and resilience. With its diverse forms and applications, it continues to evolve in response to cultural shifts and technological advancements while retaining its fundamental capacity to convey narratives and provoke thought. As illustrated through various techniques and renowned artists, painting thrives as a relevant and transformative form of artistic expression. Its enduring legacy will undoubtedly inspire future generations, bridging personal expression with collective experiences.

References

1. Chisholm, A. (2018). The History of Oil Painting. New York: Art Publishers.
2. Dawson, J. (2017). Watercolor: The Art of Motion and Emotion. London: Art Press.
3. Feldman, D. (2013). The Evolution of Painting: From Cave to Canvas. Boston: Historical Art Press.
4. Kirk, T. (2016). Michelangelo: The Renaissance Master. Chicago: Museum of Art Publications.
5. Lindgren, A. (2018). Encaustic Painting: Techniques and Applications. San Francisco: Creative Arts Press.
6. Malchiodi, C. (2005). Art Therapy: Communication in the Visual Arts. New York: Guilford Press.
7. Paz, O. (1987). Diego Rivera: The Man and His Work. Buenos Aires: Mexico City Press.
8. Schmidt, R. (2017). Acrylic Painting: The Contemporary Approach. Los Angeles: Art Resource Publishing.
9. Stone, L. (2016). Jasper Johns and the Language of Invention. New York: Gallery Press.
10. Wilson, R. (2020). Art in the Digital Age: Opportunities and Challenges. London: Digital Art Publications.